The Issue of Emotion

The Issue of Emotion



Sitting around a table with family this past summer, the topic of music came up. Surrounded by adults at least twice my age, if not more, I listened to the conversation. Eventually, my favorite question in the world was asked, as I had hoped it would be: “What music do you like?” A friend of my uncle’s, a middle-aged man, posed the question as a sort of a challenge. No doubt he was lying in wait to mock whatever the modern youth liked, ready to scoff at the “lack of sophistication of kids these days." Aware of the oncoming criticism, I answered honestly. Hearing my answer, he scoffed before asking with a snarky laugh, “You like that band? Their music is so depressing. So angsty. Are you a happy person?” I didn’t really know how to reply. I laughed sheepishly and let the conversation go on without me.

What got under my skin about this man’s comment was how quickly he wrote me off as “angsty” and unhappy. So often have teenagers been classified by adults as “angsty” or “moody” that we’ve been conditioned to feel ashamed about being upset. We’re embarrassed to talk about our stress, sadness, or frustration because our elders have drilled into us not to be “mopey” or “self-pitying."

Any emotion we experience is “just hormones” and simply a melodramatic exaggeration of a real feeling. Anything we worry about or get angry about is merely another example of a teenager being “dramatic” or “seeking attention."

In class a while ago, I was asked to complete the phrase “The world is...” I finished it with “unfair”. I was thinking about Syrian refugees sacrificing everything while people like Donald Trump sit on their billions making fools of themselves. I was thinking about how single parents who work so hard still must spend hours at multiple minimum wage jobs to support their families. When I told the class my answer, my teacher responded, “So angsty! It’s okay, you’re a teenager.” My frustration at the imbalanced world was boiled down to a moment of hormones, as if what was unfair was the amount of homework I had to do or that my parents wouldn’t let me go to a concert.

And even if a teenager's emotions are shallow or vapid, they still feel very real to them. It's completely unfair to tell a teenager to "just stop worrying" about what people think of them or to "just get over" a breakup, because even if those emotions seem invalid to someone older, those feelings are still very real to the person experiencing them. Just because the emotion is not as mature as it could be does not mean that it is not worth considering. Imagine if adults disregarded the feelings that they deemed unimportant of other adults. The world would be a very indifferent place. But when it comes to teenagers, it seems it is perfectly alright to not only write off a teenager's feeling, but actually degrade them for having it. We are shamed for having feelings that the adult world does not account worthy.

I’m tired of being labeled as a melodramatic teenager. I feel things as acutely as any adult does, and I believe my peers do too. Yet somehow my emotions are consistently shortchanged by those older and “wiser” than me who think any expression of sorrow, upset, or anger is merely a chemical reaction. To my fellow teenagers I say: keep on feeling. Write that “angsty” essay, play that “depressing” song. Embrace your feelings. They are valid and important. They are what make you human. And no one should make you feel bad about that.

Big Star: The Most Underrated Band in America

Big Star: The Most Underrated Band in America


Think of the music scene in 1972.  ‘Exile On Main Street’ by the Rolling Stones probably comes to mind, as well as David Bowie’s Ziggy Stardust phase. But what about ‘#1 Record’? The first record by the band Big Star, members Alex Chilton, Chris Bell, Jody Stephens, and Andy Hummel ironically was not the #1 record of it’s time. It didn’t come anywhere near the success of their contemporaries like Clapton, Deep Purple, or either of the previously mentioned bands.  

‘#1 Record’ was raved over by critics, with Rolling Stone saying, “it’s just exceptionally good” and, “No. 1 Record is one of the sleepers of 1972”.  Yet, because of a lack of distribution and advertisement, the record failed to climb the charts and capture the ears and hearts of the public like it did critics.
            
Today, most kids can name at least one Zeppelin song, or at least can recognize some Rolling Stones songs when they’re played for them. Countless bands since have imitated their high-powered rock sounds, with only a very few matching the icons in skill and talent. Yet, despite the fact that almost no one can recognize the song “Thirteen” when it comes up on a Pandora playlist, Big Star’s influence is everywhere in modern alternative and indie rock. Their song ‘In the Street’ was covered by Cheap Trick and became the theme for ‘That 70s Show”, and the mesmerizing guitar riff in ‘Thirteen’ can be seen in hundreds of acoustic love songs like ‘The Girl’ by City and Color. Bands like Nada Surf, Wilco, and R.E.M. would not have even existed had Big Star not paved the way 20 years beforehand. The Replacements even have a song named ‘Alex Chilton’ that pays homage to the frontman. Big Star predicted the rise of indie-rock and power-pop decades before the genres hit the mainstream; had their albums come out in 1992 instead of 1972, everyone would still be singing along to their music.
            

Big Star captured how easily the teenage mental state can go from “Get me out of here/ I hate it here” (‘Nighttime’) to “Wish we had a joint so bad” (‘In the Street’) to “I’m in love with a girl/Finest girl in the world/Didn’t know I could feel this way” (‘I’m in Love With a Girl’).  Whether Chilton intended to so purely capture the mind of an 18 year old or not, he succeeded with such class that no other band has come close to doing the same thing. Big Star sings about first love, first lost love, and small town boredom among other things. They acknowledge all of the normal clichés that surround such themes, yet take it a step further and bring a depth and complexity to it that set the stage for songwriters today.
            
I don’t enjoy being the person that gasps when someone says they haven’t heard of an album or an artist. Yet I do enjoy making people listen to an album that so easily could’ve come out of 2016 yet was made when most of our parents were in middle school or high school. It is soft and timeless and takes me to a familiar, safe space. Listening to it has changed the minds of so many of the people around me and I highly, highly recommend it to anyone who even remotely enjoys music.




The Characteristics of a Problematic Community

The Characteristics of a Problematic Community

Words by Brindy Francis




As you already know, the world has been veering off track for a good while. A dangerous man may become our president, mass murders are occurring left and right and lives are being taken for no apparent reason. I, of course, can not state that I am a victim of these events, but I can state that I am here to point out the good and evil and to stand with those victims.


So, the question is: ‘Why are all of these terrible things happening?’ There is no simple answer, but there is an audience. Your community is what contributes to these disasters. Human beings are the ones making these decision. Nothing is an accident. Your opposing side is good in another being’s eyes. In order to make a change, do not only question why it is happening. Protest it. Get involved and make a difference. You have a voice, so please use it.


Yes, I’ve been there as well. Your family members find it annoying how much politics show up on your Facebook feed. You have the right to stand up and fight, even if that is through a little share button. Ignore that aunt who had a bit too much wine because she will eventually find something else to nag at you about.


Although I encourage everyone to fight for what is right, violence is the most problematic solution. One can have an opinion without spreading it with brutality. It is great to bicker about one’s beliefs, but the problem is, nobody is listening to the other side. Instead of working on educating others, people are throwing it in each other’s faces and sparking up a riot. The world is struggling to understand that violence, savagery and force will not get the word out. It will create hatred and calamities.


My good friend, Lilly Glennon, and I had a conversation about this topic. She brought up the idea of fighting fire with fire. She said, “The one thing we are lacking is love, and using violence to ‘preach’ this love is like bombing for peace.” This can be applied to almost any situation. Whether that be real bombs or simple debates, you must understand what you are doing before doing it.


Something that always causes friction is when certain people make statements without being educated on the topic. I encourage everyone to become educated. Set up the New York Times notifications, subscribe to newsletters via email, make a deal with yourself to read one article a day, etc. Understand what is going on in the community and attack it with all you’ve got (with an open mind).


A great way to be involved is attending community events: protests, rallies and petitions. Many couldn’t care less about politics. This is understandable, but I believe it is because they are unaware. This would be titled innocent ignorance. It is extremely important to know what is going on in the world around you. Everyone must be updated on issues and create real, personal opinions. We need opinions. We need debates. This world does not need any more followers. Everyone has the power to be a leader if they stepped out of their comfort zone.

There are many characteristics to a problematic community, but you, personally, are strong enough to alter this disarranged planet. Attack these topics head on, but with no intention of hurting anyone else. We are a community and we must act like one. It does not matter what you qualify as in this populace. Your religion, race, job qualification, and class does not define you and it does not define the people around you. We must join together and stand strong in order to make any difference.

Reaching Truth: What Glamorizing Mental Illness Really Does

Reaching Truth: What Glamorizing Mental Illness Really Does

Photo by Michelle Heppner | @michelleeheppner

Anxiety is a thief; an unwelcome stranger who knocks on your door any hour of the day. Whether you are expecting it or not, it will let itself in and wreak havoc on your abode, causing shortness of breath and the feeling of an anvil eternally resting on your chest. 

We, as humans a part of a society, treat real criminal break-ins with serious caution and detest. So, why is it when anxiety, and mental illness in general, trespasses into our lives, we sometimes romanticize and glorify it in hopes of coming across as “poetic”? When music, film and art is created to glamorize mental illness, rather than to magnify the serious effects of it, the light is removed from those who are in critical need of help. This also causes some doubters to believe others use mental illness as an attention grab, which also puts those living with mental illness at risk because they are reluctant to step forward.

There is a difference between occasionally feeling anxious and having an anxiety disorder. A disorder is constant and disabling, causing someone to feel like they are drowning in fear and panic everyday. According to the National Institute of Mental Health, anxiety disorders - the most common form of mental illness in the U.S. - directly affects 18 per cent of the American population, never mind the percentage of those who feel the effects as a bystander to someone who they know is living with an anxiety disorder.

Often, we make lighthearted jokes about mental illness. Common ones include saying things like, “My OCD is acting up again,” when we neatly square-up a stack of books. Or, “I’ve eaten so much ice cream today; it’s depressing.” Although these expressions seem harmless, they only add to the stigma of mental illness, and are typically said by those who don’t understand its real effects. 

In American culture, glamorized cases of mental illnesses can be perceived through social media, movies, music, photography, art, etc. These cases misconstrue mental illness to make it seem appealing and beautiful, when acknowledging how someone living with a mental disorder feels, is tossed aside. With mental illness being glamorized in the media, we are also wrongfully taught how to comfort and assist those in need of a helping hand.

I believe the most important thing to remember is, if you are not personally going through it, you will never fully understand it, consequently you have limited say in the matter. The Anxiety and Depression Association of America says only one-third of people living with anxiety disorders receive help. This statistic is shocking, considering anxiety disorders are highly treatable. The question is, if anxiety disorders are as simple to treat as they say, why are people not reaching out for help? Among many possible reasons, the one that typically stands out is because patients fear they will get grouped in with the few who pretend to have a mental illness in order to receive sympathy and attention.


Mental illness is not a trend, so let’s stop glamorizing it like it is one.

Cool Girl's Guide to Paris Couture Week

Cool Girl's Guide to Paris Couture Week

photo courtesy of Yannis Vlamos / Indigital.tv

It is, without a doubt, a rebellious time in the fashion industry. Haute couture, French for "high fashion," is making a powerful transition from princess-like couture to rebellious, statement-making apparel. Sure, classics like Dior (though abandoned by head designer Raf Simons and temporarily being manned by his understudies) and Chanel persist with the typical, grand, haute couture designs, other fashion houses are taking Fall Couture Week to a whole new level.

photo courtesy of Yannis Vlamos / Indigital.tv
Perhaps most talked about during couture week was the Vetements Spring 2017 Ready-to-Wear show, which was held at a department store and curated looks featuring 18 other brands. The large scale collaboration most notably included Levi's, Dr. Martens, Reebok, Comme des Garçons, Champion, and Juicy Couture. Heavy denim, sportswear, and a unique take on workwear were apparent in the ever-so-chic collection.


photos courtesy of Marcus Tondo / Indigital.tv
Maison Margiela showed us that the era of John Galliano isn't close to being over. Galliano, known to reference French history (specifically revolutionary times) in his art, married urban streetwear with a nod to French military past. Galliano's Maison Margiela makes a powerful statement through its art-- a clash between today's youth and history's past.


photo courtesy of Guo Pei
An astounding moment during Paris Couture week came from none other than Guo Pei. Pei, a famous Chinese designer, is rising in fame after designing Rihannas trailing yellow gown at the 2015 Met Ball. With fiber-optic, glossy, and high-shine fabrics and textures, a superior level of craftsmanship was evident throughout the entire collection. Instead of portraying women as graceful, delicate creatures (as reflected in the shows of Valentino, Elie Saab, and Giambattista Valli), Pei depicts women as strong, powerful, influential, while upholding the most beautiful elements of femininity. 


photos courtesy of Marcus Tondo / Indigital.tv
Russian culture has always been an influential and prevalent factor in Ulyana Sergeenko's collections, and this fall's couture show was no exception. However, Sergeenko and business partner Frol Burimskiy decided to tone down the usual over-the-top-ness and were inspired by the 60s childhood their parents grew up with. The optimistic, utopian society both Sergeenko and Burimskiy described is apparent in their sleek collection.


 photos courtesy of Yannis Vlamos / Indigital.tv
A shocker to some, Atelier Versace dialed down its usual over-the-top sensual sleekness. Donatella's Versace brought beautiful, unique color combinations and classy sequined pieces, which can be difficult to pull off (usually). Donatella has definitely left us drooling over that deep lavender jacket one could easily imagine gracing the shoulders of a chic fashion blogger.

All of this is not to say classic Haute Couture has fallen out of style or not well designed (we highly encourage you to explore Giambattista Valli's couture collection), rather, a new form of haute couture is being explored. More chic, sleek, and powerful couture fashion weeks are ahead of us, and we could not be more thrilled to see what comes next.

Beauty Obsessions: Colourpop Cosmetics!

Beauty Obsessions: Colourpop Cosmetics!


Today I am blogging about my latest beauty obsession! If you are a lipstick lover, then this post is for you!

Now before you all rush over to order Kylie Jenner’s pricy liquid lips, you might want to check out the amazing Ultra Matte Lips from Colourpop! With a collection of over 40 shades available and a retail of $6.00, I decided to talk about my top three shades that I fell in love with!  If you are interested in a matte, super-long wearing lip product then you will love these too!

These matte lipsticks glide on very smooth, dries evenly, and feels weightless!  
I absolutely adore Colourpop Cosmetics! With such an affordable cost, you get a high quality product that dries to a flat matte finish and are super long wearing.  They last exceptionally well with eating and drinking. They do not leave my lips feeling stiff or parched and they do not flake or crack! When applying these colors, I do apply chap stick beforehand just so that the product sits smoothly. I also apply one coat, let it dry, apply a second coat, and then I’m good to go! I usually only find myself reapplying once throughout the day when wearing these lip products!

The shades I will be discussing are: Beeper, Trap, and Kapow.



Colourpop’s ultra matte lip in Beeper is a perfect mid-toned brown liquid lip with a tint of pink. Colourpop descirbes Beeper as a “warm mid-tone taupe”. With a muted, medium-dark rosy brown, this color is very easy to wear on a daily basis giving a more neutral subtle look!


 Colourpop’s ultra matte lip in Trap is described as”dusty greyed out beige”, which is spot on! Trap is a very smoky gray shade with a tint of light purple. Very subtle and easy to wear! If you have been searching for a color that is in between the vibrant purple and dark purple spectrum, then Trap is definitely for you!


Colourpop’s ultra matte lip in Kapow is the exact opposite of Trap. Kapow is a very dark, bold, muted brown/gray shade with a very small dose of a purple hue. This color is one that you would definitely rock at night. This bold color is great to wear with light eye make-up. If you’ve been wanting a bold neutral lip to rock, then Kapow is your answer! 
                                  


So before you go spending tons on Kylie’s lip products, you should definitely give Colourpop’s Cosmetics a try!

What 89,000 Minutes of Music in a Year Taught Me

What 89,000 Minutes of Music in a Year Taught Me






Prior to the close of 2015, Spotify sent out an email letting users know they had launched a service allowing customers to track their listening patterns over the course of the previous year. Considering I was in class “preparing for finals” when I received the email, I decided it would be a good time to check out my Year in Review. After seeing that Never Shout Never had somehow made it into my list of top five most played artists and accepting that I will probably never get over my Jr. High obsession, I clicked on a tab showing that I spent 89,000 minutes listening to music during the year. The subheading kindly made me feel worse about myself by letting me know that translates to the equivalent of 62 days.

The fact that I spent 16.98% of my time listening to the art of complete strangers led me to contemplate what effect the musicians of this generation could be having on both myself and my peers. Surely if I spend so much time engrossed in the thoughts and words of others I must be learning a thing or two about myself in the process. Over six months later, I think I finally figured out why I spend so much time listening to music and what it has been helping me realize about myself.

I’ve recently come to accept and admit that there have been periods in my life when I have dealt with varying degrees of depression. For the longest time I refused to acknowledge that fact because I am arrogant, hard-headed, and refuse to think anything about myself that is less than ideal. As someone who is determined to do well with the life given to me, I stuffed my issues to the back of my mind because I was under the impression that those who are successful in their careers are continually happy, satisfied, and have never dealt with the same sort of creeping darkness. I refused to admit to myself that I feel any way other than invincible, because I believed that no one successful ever deals with the same issues. Therefore, I simply needed to ignore mine until they disappeared. What finally made me realize that my perceptions were in no way accurate was listening to the themes of some of my favorite artists and seeing that even these highly talented individuals deal with some of the same issues but have persevered and found a way to create and use their platform for positivity in the process.

An artist that I spent a decent amount of those 89,000 minutes listening to was Halsey. In an interview with elle.com, she mentioned that, as a child dealing with bipolar disorder and depression, her mother would ask her: “'Would you rather be blissfully ignorant or would you rather be pained and aware?” Listening to her music, it is clear that she has chosen “pained and aware”. For some of us, we don’t really have a choice. “Pained and aware” is simply what we are stuck with. What is inspiring is that Halsey is showing that awareness of pain does not have to be a curse. Rather, it can be manipulated into something beautiful.

It is the lack of a false pretense that make artists like Halsey so important to this generation and is something that other artists have incorporated as a requirement in their music. Jesse Rutherford from the Neighbourhood had some interesting words to say regarding his art in an interview with Life+Times that I think explains this desire for transparency. Regarding the band’s music, he’s quoted as saying, “It’s raw. I think this world, right now, just needs something that’s straightforward, raw, and honest. We all want to be lied to deep down… But it’s just not fucking reality”.

If there’s one artist who deals with the anxiety and depression of this reality that Jesse was speaking of and manages to break down creative walls in the process, I believe it’s Kendrick Lamar. His persistence and resilience is admirable and something that serves as an inspiration to me individually. In the midst of an environment that celebrates money and achievement, he seems to be one of the first to admit that “money can’t stop a suicidal weakness”. In the face of that, he’s quoted as saying “How can I use it [my leadership]? For better or for worse?” “Money or celebrity, how can I use it? How can I pimp it? Can I pimp it negatively, or can I pimp it in a positive way? Positive for me is showing what I go through, what I’ve been through … but that I still love myself at the end of the day.”

It is that level of transparency from the artists I admire and their continued determination to tell of their struggles in a creative way, that I believe is helping myself and my generation find some peace as we figure out our place in the 21st century. I am learning to realize that there is a freedom in recognizing that not every aspect of life is ideal. Rather, life is a process that is neither black or white. It is a growth and a struggle. It is helping me realize that there is a freedom in recognizing that even the most successful and the most respectable deal with the same mental issues that I struggle with and those I care about struggle with. There is a freedom in realizing that not every negative emotion needs to be silenced. Rather, it is possible and healthy to voice those negative emotions beautifully in a resilient way that eliminates the isolation of depression and forms a community around art. What that does is create a generation of creative minds who have had no choice but to fight, survive, and create throughout the midst of chaos. Rather than wallowing in their struggles, these artists have chosen to deal with their demons and spite them by creating works that are altering a generation. A transparency to admit and a resilience to create is why I spent 89,000 minutes listening to music last year.

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